Webber knew he wanted to bring the Phantom, Christine, and Raoul to life, but was unsure of how the story could translate to the stage. When did Andrew Lloyd Webber’s The Phantom of the Opera premiere?Įarly conversations about The Phantom of the Opera happened in 1984, when Andrew Lloyd Webber proposed a romantic musical to producer Cameron Mackintosh. She’s forever haunted by the Phantom, but can Christine escape a potentially fatal situation? You'll have to watch The Phantom of the Opera at Her Majesty's Theatre to find out. But, as she takes her curtain call, an epic disaster brings down the house, quite literally. Forced to live below the Paris Opera House, she eventually goes on to star as the lead role in an opera. But, just as the angel of music is in the palm of his hands, Raoul, Vicomte de Chagny, enters the scene.Ĭhallenging the Phantom for her affections, Christine is eventually kept hostage in an underground lair. As he teaches her, so too does Christine’s infatuation with the Phantom grow. Whisking audiences away to the lavish and luxurious lifestyle of Parisian opera, we meet a half-masked Phantom who grows obsessed with young soprano, Christine Daae. What is Andrew Lloyd Webber’s The Phantom of the Opera about?Īndrew Lloyd Webber’s The Phantom of the Opera is inspired by Gaston Leroux’s 1909 novel of the same name. Here’s our complete guide to the Andrew Lloyd Webber musical The Phantom of the Opera, with The Phantom of the Opera tickets available on .uk. Can the Phantom prove himself to Christine? You’ll have to watch The Phantom of the Opera. But when a childhood sweetheart appears on the scenes, the Phantom whisks Christine away to his underground lair and chances of a happily ever after are shattered. Millions of theatregoers have travelled from around the world to visit Her Majesty’s Theatre and hear the angel of music for themselves.Īs the Phantom hides his face, he tries to impress Christine, a beautiful soprano. Like Meg was crazy obsessed with winning the Phantom's attention.The Phantom of the Opera is one of the West End’s greatest musicals of all time.
I hate to ever use Love never Dies references to back up my statements when discussing tpoto, but I am sure that Madame Giry would not allow Meg to have affection towards the Phantom neither seek equivalent attention from the Phantom as he gave Christine if you understand what I'm saying. Since the moment I first heard you sing, I have needed you with me to serve me, to sing." This shows that he brought Christine to his lair because of his attraction to Christine and her talent or whatever (but absolutely not because he is attracted to young girls), the talent which Meg lacks is shown due to her mother's reaction/attitude/actions when Christine goes up to sing 'Think of Me' - in the movie, she looks at Meg and touches her hair, giving her that look of disappointment on the DL in the theater version, after the performance, she scolds Meg (and the other ballerinas), speaking to her as if she were somewhat unworthy or not as good as Christine. This would only make sense if you were implying that he was a pedophile which I can tell you that he most likely is not because in the short song ("I have brought you to the seat of sweet music's thrown.") between ' The Phantom of the Opera' and 'Music of the Night' he says "You have come here for one purpose and one alone. The theory of Meg being the Phantom's daughter would not be at all an explanation as to why he is not interested in her as he is with Christine. But in the absence of any evidence to support the theory, I would say it's a pretty clear bet that Meg Giry has no blood relationship to the Phantom.
Further, given the dramatic payoff that could be added to the story by revealing that Meg is the Phantom's love child, it is all but inconceivable that such a relationship would be salient in the mind of author Gaston Leroux, but that he would never make it explicit. Also, if Meg were his daughter, it wouldn't make sense, given his personality, that Erik would have absolutely no apparent relationship with her. She functions more as a knowledgeable intermediary and is more or less employed by the Phantom to represent his interests to the Opera House administration, even though she had never seen him, but had only heard his voice. But never is a romantic connection between Madame Giry and Erik, past or present, even implied. The role of Madame Giry (the correct spelling) in the opera house, and her relationship to Erik (the Phantom) and Christine Daae differ somewhat between the book, the stage musical, and the 2004 film.
Answer: It is conceivable, I suppose, but extremely unlikely.
0 kommentar(er)
